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@@ -31,9 +31,9 @@ But liberated *industry*, industry constituted for itself as such, and *liberate
Thus, in the person of the *tenant farmer* the landlord *has* already become in essence a *common* capitalist. And this must come to pass, too, in actual fact: the capitalist engaged in agriculture – the tenant – must become a landlord, or vice versa. The tenant's *industrial hucksterism* is the *landowner's *industrial hucksterism, for the being of the former postulates the being of the latter.
-But mindful of their contrasting origin, of their line of descent, the landowner knows the capitalist as his insolent, liberated, enriched slave of yesterday and sees himself as a *capitalist* who is threatened by him. The capitalist knows the landowner as the idle, cruel, egotistical master of yesterday; he knows that he injures him as a capitalist, but that it is to industry that he owes all his present social significance, his possessions and his pleasures; he sees in him a contradiction to *free* industry and to *free* capital – to capital independent of every natural limitation. This contradiction is extremely bitter, and each side tells the truth about the other. One need only read the attacks of immovable on movable property and vice versa to obtain a clear picture of their respective worthlessness. The landowner lays stress on the noble lineage of his property, on feudal souvenirs or reminiscences, the poetry of recollection, on his romantic disposition, on his political importance, etc.; and when he talks economics, it is *only* agriculture that he holds to be productive. At the same time he depicts his adversary as a sly, hawking, carping, deceitful, greedy, mercenary, rebellious, heartless and spiritless person who is estranged from the community and freely trades it away, who breeds, nourishes and cherishes competition, and with it pauperism, crime, and the dissolution of all social bonds, an extorting, pimping, servile, smooth, flattering, fleecing, dried-up rogue without honour, principles, poetry, substance, or anything else. (Amongst others see the Physiocrat *Bergasse*, whom Camille Desmoulins flays in his journal, *R�volutions de France et de Brabant* [[26]](#TODO;footnote.htm#fn26); see von Vincke, Lancizolle, Haller, Leo, Kosegarten and also *Sismondi*.)
+But mindful of their contrasting origin, of their line of descent, the landowner knows the capitalist as his insolent, liberated, enriched slave of yesterday and sees himself as a *capitalist* who is threatened by him. The capitalist knows the landowner as the idle, cruel, egotistical master of yesterday; he knows that he injures him as a capitalist, but that it is to industry that he owes all his present social significance, his possessions and his pleasures; he sees in him a contradiction to *free* industry and to *free* capital – to capital independent of every natural limitation. This contradiction is extremely bitter, and each side tells the truth about the other. One need only read the attacks of immovable on movable property and vice versa to obtain a clear picture of their respective worthlessness. The landowner lays stress on the noble lineage of his property, on feudal souvenirs or reminiscences, the poetry of recollection, on his romantic disposition, on his political importance, etc.; and when he talks economics, it is *only* agriculture that he holds to be productive. At the same time he depicts his adversary as a sly, hawking, carping, deceitful, greedy, mercenary, rebellious, heartless and spiritless person who is estranged from the community and freely trades it away, who breeds, nourishes and cherishes competition, and with it pauperism, crime, and the dissolution of all social bonds, an extorting, pimping, servile, smooth, flattering, fleecing, dried-up rogue without honour, principles, poetry, substance, or anything else. (Amongst others see the Physiocrat *Bergasse*, whom Camille Desmoulins flays in his journal, *Révolutions de France et de Brabant* [[26]](#TODO;footnote.htm#fn26); see von Vincke, Lancizolle, Haller, Leo, Kosegarten and also *Sismondi*.)
-[See on the other hand the garrulous, old-Hegelian theologian Funke who tells, after Herr Leo, with tears in his eyes how a slave had refused, when serfdom was abolished, to cease being the *property of the gentry* [[27]](#TODO;footnote.htm#fn27). See also the patriotic visions *of* *Justus M�ser*, which distinguish themselves by the fact that they never for a moment ... abandon the respectable, petty-bourgeois "*home-baked*", *ordinary*, narrow horizon of the philistine, and which nevertheless remain pure fancy. This contradiction has given them such an appeal to the German heart.- *Note *by Marx.]
+[See on the other hand the garrulous, old-Hegelian theologian Funke who tells, after Herr Leo, with tears in his eyes how a slave had refused, when serfdom was abolished, to cease being the *property of the gentry* [[27]](#TODO;footnote.htm#fn27). See also the patriotic visions *of* *Justus Möser*, which distinguish themselves by the fact that they never for a moment ... abandon the respectable, petty-bourgeois "*home-baked*", *ordinary*, narrow horizon of the philistine, and which nevertheless remain pure fancy. This contradiction has given them such an appeal to the German heart.- *Note *by Marx.]
Movable property, for its part, points to the miracles of industry and progress. It is the child of modern times, whose legitimate, native-born son it is. It pities its adversary as a simpleton, *unenlightened* about his own nature (and in this it is completely right), who wants to replace moral capital and free labour by brute, immoral violence and serfdom. It depicts him as a Don Quixote, who under the guise of *bluntness*, *respectability,* the *general interest*, and *stability*, conceals incapacity for progress, greedy self-indulgence, selfishness, sectional interest, and evil intent. It declares him an artful *monopolist*; it pours cold water on his reminiscences, his poetry, and his romanticism by a historical and sarcastic enumeration of the baseness, cruelty, degradation, prostitution, infamy, anarchy and rebellion, of which romantic castles were the workshops.